Photo-realistic documentary photo (Canon 5D, 85mm, natural daylight). Edit the first input image. PRESERVE: identical face (same identity, eyes, nose, mouth, skin — NEVER replace with AI face), exact body pose (standing unchanged), facing camera lens directly, hand gesture holding cup, camera framing. Modify only clothing, hair, objects, background. PERSON IN CENTER (orig: gray cardigan, white tee, short hair, glass cup) → REMOVE modern cardigan, modern tee, short hair, eyeglasses, wristwatch; clothing: wide-sleeved robe (daxiushan) in pale blue or white lightweight kudzu silk, cross-collar right lapel, extremely wide sleeves 50-60cm extending past hands, knee-length flowing fit without belt, white cross-collar inner garment visible at neckline, elegant scholar's garment; hair: rectangular silk head wrap (fujin) 1.5m long wrapped loosely around head with knot at forehead, black or dark blue color, soft fabric with subtle sheen, ends hanging naturally, some hair visible; holds celadon ear-cup (qingci erbei) oval-shaped pale blue-grey glaze with two crescent handles, 12cm long 4cm deep, filled with cloudy pale-yellow unfiltered rice wine (zhuojiu); stands as input. Background: traditional Wei-Jin interior hall (tingtang), timber-pillared room with exposed beam ceiling, tamped earth or grey-tile floor, vertical-slat window (zhilingchuang) with paper pasted inside allowing soft natural light, ceramic oil lamp (taodeng) on low lacquered table nearby with small flame, mineral pigment colors (ochre walls, deep green trim, indigo accents) where appropriate. Remove: neon, LED, modern furniture, chairs, glass windows, English/simplified text, modern logos, posters. Style: photo-realistic, NOT painting/illustration/anime/ink-wash. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools/benches/sofas (sit on woven mat 席 or huchuang 胡床 only); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern short cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses, watches. Face unchanged.

```json
{
  "scene_recognition": {
    "scene_type": "室内聚餐",
    "people_count": 1,
    "modern_elements": [
      {"name": "透明玻璃杯", "category": "饮食"},
      {"name": "灰色针织开衫", "category": "服饰"},
      {"name": "白色T恤", "category": "服饰"},
      {"name": "现代短发", "category": "首服/发型"},
      {"name": "玻璃窗", "category": "空间场景"},
      {"name": "现代室内装修", "category": "空间场景"},
      {"name": "现代照明", "category": "照明"}
    ],
    "body_pose": "站立",
    "facing": "facing camera lens directly",
    "layout": "人物居中，距离镜头约1.5米，室内背景"
  },
  "mappings": [
    {
      "modern": "透明玻璃杯",
      "ancient": "青瓷耳杯",
      "category": "饮食",
      "rationale": "江苏南京东晋墓出土完整青瓷耳杯，魏晋贵族酒器",
      "evidence_strength": "●",
      "wiki_ref": "[[青瓷耳杯]]",
      "atlas_ref": "14_qingci_jishouhu"
    },
    {
      "modern": "灰色针织开衫",
      "ancient": "大袖衫",
      "category": "服饰",
      "rationale": "《世说新语》载名士衣褐振裾，顾恺之《洛神赋图》可证",
      "evidence_strength": "●",
      "wiki_ref": "[[大袖衫]]",
      "atlas_ref": "09_sunwei_gaoyitu"
    },
    {
      "modern": "白色T恤",
      "ancient": "白色交领中衣",
      "category": "服饰",
      "rationale": "魏晋内衣多白色葛布或细麻，《洛神赋图》可见",
      "evidence_strength": "●",
      "wiki_ref": "[[大袖衫]]",
      "atlas_ref": "11_luoshenfu_tu"
    },
    {
      "modern": "现代短发",
      "ancient": "幅巾",
      "category": "首服/发型",
      "rationale": "《晋书·舆服志》载魏晋名士多以幅巾为雅",
      "evidence_strength": "●",
      "wiki_ref": "[[幅巾]]",
      "atlas_ref": "09_sunwei_gaoyitu"
    },
    {
      "modern": "玻璃窗",
      "ancient": "直棂窗",
      "category": "空间场景",
      "rationale": "敦煌莫高窟北魏窟壁画建筑图反复出现直棂窗",
      "evidence_strength": "●",
      "wiki_ref": "[[直棂窗]]",
      "atlas_ref": "26_mogao285_pipa"
    },
    {
      "modern": "现代室内装修",
      "ancient": "厅堂",
      "category": "空间场景",
      "rationale": "嘉峪关魏晋墓画像砖宴饮图、司马金龙墓壁画可证",
      "evidence_strength": "●",
      "wiki_ref": "[[厅堂]]",
      "atlas_ref": "23_simajinlong_lacquer"
    },
    {
      "modern": "现代照明",
      "ancient": "陶灯",
      "category": "照明",
      "rationale": "江苏南京东晋墓出土青瓷灯，魏晋室内照明主要器具",
      "evidence_strength": "●",
      "wiki_ref": "[[陶灯]]",
      "atlas_ref": "51_dongjin_niuxing_deng"
    },
    {
      "modern": "饮料",
      "ancient": "浊酒",
      "category": "饮食",
      "rationale": "《齐民要术》详载酒方，陶渊明诗"浊酒聊可恃"",
      "evidence_strength": "●",
      "wiki_ref": "[[浊酒]]",
      "atlas_ref": "15_qi_erbei"
    }
  ],
  "edit_prompt": "Photo-realistic documentary photo (Canon 5D, 85mm, natural daylight). Edit the first input image. PRESERVE: identical face (same identity, eyes, nose, mouth, skin — NEVER replace with AI face), exact body pose (standing unchanged), facing camera lens directly, hand gesture holding cup, camera framing. Modify only clothing, hair, objects, background. PERSON IN CENTER (orig: gray cardigan, white tee, short hair, glass cup) → REMOVE modern cardigan, modern tee, short hair, eyeglasses, wristwatch; clothing: wide-sleeved robe (daxiushan) in pale blue or white lightweight kudzu silk, cross-collar right lapel, extremely wide sleeves 50-60cm extending past hands, knee-length flowing fit without belt, white cross-collar inner garment visible at neckline, elegant scholar's garment; hair: rectangular silk head wrap (fujin) 1.5m long wrapped loosely around head with knot at forehead, black or dark blue color, soft fabric with subtle sheen, ends hanging naturally, some hair visible; holds celadon ear-cup (qingci erbei) oval-shaped pale blue-grey glaze with two crescent handles, 12cm long 4cm deep, filled with cloudy pale-yellow unfiltered rice wine (zhuojiu); stands as input. Background: traditional Wei-Jin interior hall (tingtang), timber-pillared room with exposed beam ceiling, tamped earth or grey-tile floor, vertical-slat window (zhilingchuang) with paper pasted inside allowing soft natural light, ceramic oil lamp (taodeng) on low lacquered table nearby with small flame, mineral pigment colors (ochre walls, deep green trim, indigo accents) where appropriate. Remove: neon, LED, modern furniture, chairs, glass windows, English/simplified text, modern logos, posters. Style: photo-realistic, NOT painting/illustration/anime/ink-wash. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools/benches/sofas (sit on woven mat 席 or huchuang 胡床 only); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern short cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses, watches. Face unchanged.",
  "scene_narrative": {
    "text": "太元末年，建康。谢季安独立厅中，手执青瓷耳杯，杯中浊酒微漾。他戴幅巾、着月白大袖衫，袖口宽过一尺，随手势微动。窗外竹影摇曳，直棂窗的纸糊透进半明半暗的午后光。案上陶灯未燃，砚台旁搁着半卷未完的《庄子》。他盯着杯中酒看了许久，忽然轻笑一声："今日无客，倒也清净。"抿了一口，酒味微酸带甜。檐下传来两声乌鸦叫，他也不理，只是又倒了半杯。",
    "character_names": ["谢季安"],
    "era_setting": "太元末年，建康",
    "objects_mentioned": ["青瓷耳杯", "浊酒", "幅巾", "大袖衫", "直棂窗", "陶灯", "砚台"]
  }
}
```