一见如故
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20260419_222601仕女室内聚会2
原图
魏晋

太元末年,建康

太元末年,建康。谢氏别院夜宴初散,卫三娘与王五姐并肩立于廊下,身后青瓷鸡首壶斜倚矮架,壶口尚有浊酒余香。三娘捋了捋蝉鬓,笑道:“今夜那阮咸弹得,我听着都想睡了。“五姐飞天髻上的步摇晃了两晃,斜睨她一眼:“你是嫌曲子闷,还是嫌人闷?“檐角豆形灯里脂烛跳了一跳,照得两人影子在夯土墙上拉得老长。远处传来一声犬吠,夜凉如水。

卫三娘王五姐

考据映射 · 9

  • 黑色长袖T恤
    MODERN
    深色交领大袖衫 强证据

    交领右衽宽袖长衫,袖宽可达50-60厘米,袖长过手20-30厘米,衣长及膝或过膝。多用葛布、细麻布或丝绸制成,不束腰带,任其自然下垂。

    魏晋士族女性常服,《女史箴图》可见深色交领襦

    来源:- 文献:南朝·刘义庆《世说新语·容止》 - 图像:东晋·顾恺之《洛神赋图》(宋摹本) - 文献:南朝·萧统《文选·赋》查看图景 →
  • 豹纹衬衫
    MODERN
    间色襦(赭黄与绛红相间) 强证据

    南朝贵族女性襦裙常用间色织锦,司马金龙墓漆画可证

  • 黑色皮夹克
    MODERN
    深褐色短襦外罩 推断

    魏晋女性外出常罩短襦,北朝俑可见类似形制

  • 眼镜
    MODERN
    移除(魏晋无眼镜)移除 移除

    眼镜明代传入,魏晋不存在

  • 现代长发披肩
    MODERN
    蝉鬓垂髫(screen-left)+ 飞天髻(screen-right) 强证据

    将头发绾于头顶成数个高耸的环形髻,或单环、或三环、或五环并立,髻尖向前倾斜,形似凌空飞举。常见于南朝贵族仕女和神女题材画作。

    《洛神赋图》《女史箴图》南朝仕女发式,蝉鬓薄削,飞天髻高耸

    来源:- 图像:东晋·顾恺之《洛神赋图》 - 文献:南朝·宋·何承天《采兰杂志》 - 文献:五代·马缟《中华古今注·冠子朵子扇子》查看图景 →
  • 酒瓶(背景)
    MODERN
    青瓷鸡首壶 强证据

    西晋至东晋典型酒水器,越窑青瓷代表器型

  • 木制装饰天花板
    MODERN
    裸露木梁架(庑殿顶内视) 强证据

    最高等级屋顶形制,四坡(前后两大坡 + 左右两小坡)四条正脊和四条斜脊("五脊殿")。屋檐略微上翘但**曲度很小**(区别于唐宋的大飞檐)。覆灰陶瓦,正脊两端可有简单鸱尾装饰。

    魏晋厅堂木构梁架裸露,嘉峪关画像砖、敦煌壁画可证

    来源:- 实物:河南洛阳出土北魏陶屋明器 - 图像:甘肃敦煌莫高窟第 257、275 窟北魏壁画 - 文献:北宋·李诫《营造法式》(追溯魏晋形制)查看图景 →
  • 现代照明
    MODERN
    青瓷豆形灯 + 脂烛 强证据

    以麻芯或竹芯裹动物脂(牛羊脂或猪脂)凝固而成的烛。长约 15-30 厘米、粗约 1-2 厘米。燃烧时脂油熔化顺烛身流下,留下"烛泪"。光线比[[陶灯]][[铜灯]]的油灯略强,但有烟有味。魏晋南北朝"蜡烛"一词虽出现,实指此类脂烛。

    东晋墓出土青瓷灯,脂烛为魏晋主要照明燃料

    来源:- 文献:南朝·刘义庆《世说新语·汰侈》 - 文献:南朝·梁·萧子显《南齐书·文惠太子传》 - 文献:南朝·宋·范晔《后汉书·光武帝纪》李贤注查看图景 →
  • 站立姿态
    MODERN
    保持站立姿态不变 强证据

    原图两人并立,魏晋女性社交场合站立为常见姿态

Trace 时间线 · 14 条
00pipeline_start {"role":"仕女","image":"/home/ec2-user/yijianrugu/outputs/_uploads/scene_6ea6443a0ebd4575813c2ad044bbe4a8.jpeg"}
01image_normalized {"path":"/home/ec2-user/yijianrugu/outputs/runs/20260419_222601/original.jpg"}
02agent_call_start
03kb_loading
04kb_loaded {"size_kb":85}
05scene_vision_start
06scene_vision_done {"anchors":3,"consistency":"OK","people":2}
07llm_call_start {"model":"anthropic/claude-sonnet-4.5","ctx_kb":85}
08llm_call_done {"length":5510}
09forbidden_warning ["中文禁词命中:明","英文禁词命中:japanese","英文禁词命中:korean"]
10agent_done {"mappings_count":9,"narrative_len":159}
11image_edit_start {"prompt_len":2464,"n":1}
12image_edit_done {"provider":"openai","n_variants":1,"references_used":["/home/ec2-user/yijianrugu/visual_atlas/artifacts/14_qingci_jishouhu.jpg","/home/ec2-user/yijianrugu/visual_atlas/artifacts/15_qi_erbei.jpg","/home/ec2-user/yijianrugu/visual_atlas/artifacts/16_xijin_qingci_dushu_yong.jpg"],"prompt_len":2464,"out_count":1}
13pipeline_done {"success":true,"ancient_count":1,"narrative_len":159,"mappings_count":9}
图像编辑 prompt · 2464 字
Photo-realistic documentary photo (Canon 5D, 85mm, natural daylight). Edit the first input image. PRESERVE: identical face per person (same identity, eyes, nose, mouth, skin — NEVER replace with AI face), exact body pose (both standing upright unchanged), facing direction (both facing camera lens directly), screen-left/right positions (viewer perspective), hand gestures, camera framing. Modify only clothing, hair, background objects.

PERSON ON SCREEN-LEFT (orig: wears black long shirt, has glasses, striped sleeves) → REMOVE eyeglasses; clothing: deep-color cross-collar wide-sleeve robe (daxiushan) in dark indigo or black, flowing silk fabric with subtle sheen, wide sleeves extending past wrists, cross-collar right-over-left neckline, narrow waistband tied at natural waist, floor-length hem; hair: thin cicada-wing temples (chanbin) fanning at sides with long hair partially gathered at back, glossy black hair with natural shine, NO modern short cut; stands as input.

PERSON ON SCREEN-RIGHT (orig: wears black leather jacket, has long hair, leopard print shirt) → clothing: alternating-color short jacket (jianse ru) over long skirt, jacket in ochre-yellow and crimson-red alternating panels, knee-length jacket with narrow sleeves, high-waisted long skirt in deep green or indigo reaching floor, silk brocade texture; hair: tall ring-bun hairstyle (feitianji) with three black hair rings stacked high atop head pointing forward, thin temples, secured with silk ribbons, optional small gold step-sway hairpin; stands as input.

Background: traditional Wei-Jin interior (woven floor mats, exposed wood beam ceiling, paper-screen lattice windows, celadon pottery on low wooden shelves) in mineral pigment colors (vermilion, indigo, ochre, deep green) where appropriate. Replace modern bar backdrop with: wooden wall panels in natural brown, celadon chicken-head ewers on low lacquer shelf, small ceramic oil lamps with yellow-orange flame glow, bamboo blinds partially rolled at window. Remove: neon, LED, modern furniture, chairs, English text, modern logos, bottles with labels, metal fixtures. Style: photo-realistic, NOT painting/illustration/anime/ink-wash. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools (stand on woven mat floor); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern short cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses. Faces unchanged.
Claude 原始返回 · 5510 字
```json
{
  "scene_recognition": {
    "scene_type": "室内聚会",
    "people_count": 2,
    "modern_elements": [
      {"name": "黑色长袖T恤", "category": "服饰"},
      {"name": "豹纹衬衫", "category": "服饰"},
      {"name": "黑色皮夹克", "category": "服饰"},
      {"name": "眼镜", "category": "首服/发型"},
      {"name": "现代长发披肩", "category": "首服/发型"},
      {"name": "酒瓶(背景)", "category": "饮食"},
      {"name": "木制装饰天花板", "category": "空间场景"},
      {"name": "现代照明", "category": "照明"}
    ]
  },
  "mappings": [
    {
      "modern": "黑色长袖T恤",
      "ancient": "深色交领大袖衫",
      "category": "服饰",
      "rationale": "魏晋士族女性常服,《女史箴图》可见深色交领襦",
      "evidence_strength": "●",
      "wiki_ref": "[[大袖衫]]",
      "atlas_ref": "12_nvshizhen_tu"
    },
    {
      "modern": "豹纹衬衫",
      "ancient": "间色襦(赭黄与绛红相间)",
      "category": "服饰",
      "rationale": "南朝贵族女性襦裙常用间色织锦,司马金龙墓漆画可证",
      "evidence_strength": "●",
      "wiki_ref": "[[间色裙]]",
      "atlas_ref": "23_simajinlong_lacquer"
    },
    {
      "modern": "黑色皮夹克",
      "ancient": "深褐色短襦外罩",
      "category": "服饰",
      "rationale": "魏晋女性外出常罩短襦,北朝俑可见类似形制",
      "evidence_strength": "◐",
      "wiki_ref": "[[袿衣]]",
      "atlas_ref": "54_shuanghuan_female"
    },
    {
      "modern": "眼镜",
      "ancient": "移除(魏晋无眼镜)",
      "category": "首服/发型",
      "rationale": "眼镜明代传入,魏晋不存在",
      "evidence_strength": "移除",
      "wiki_ref": "—",
      "atlas_ref": "—"
    },
    {
      "modern": "现代长发披肩",
      "ancient": "蝉鬓垂髫(screen-left)+ 飞天髻(screen-right)",
      "category": "首服/发型",
      "rationale": "《洛神赋图》《女史箴图》南朝仕女发式,蝉鬓薄削,飞天髻高耸",
      "evidence_strength": "●",
      "wiki_ref": "[[飞天髻]][[蝉鬓]]",
      "atlas_ref": "11_luoshenfu_tu"
    },
    {
      "modern": "酒瓶(背景)",
      "ancient": "青瓷鸡首壶",
      "category": "饮食",
      "rationale": "西晋至东晋典型酒水器,越窑青瓷代表器型",
      "evidence_strength": "●",
      "wiki_ref": "[[青瓷鸡首壶]]",
      "atlas_ref": "14_qingci_jishouhu"
    },
    {
      "modern": "木制装饰天花板",
      "ancient": "裸露木梁架(庑殿顶内视)",
      "category": "空间场景",
      "rationale": "魏晋厅堂木构梁架裸露,嘉峪关画像砖、敦煌壁画可证",
      "evidence_strength": "●",
      "wiki_ref": "[[厅堂]][[庑殿顶]]",
      "atlas_ref": "28_jiayuguan_brick_guobo"
    },
    {
      "modern": "现代照明",
      "ancient": "青瓷豆形灯 + 脂烛",
      "category": "照明",
      "rationale": "东晋墓出土青瓷灯,脂烛为魏晋主要照明燃料",
      "evidence_strength": "●",
      "wiki_ref": "[[陶灯]][[脂烛]]",
      "atlas_ref": "51_dongjin_niuxing_deng"
    },
    {
      "modern": "站立姿态",
      "ancient": "保持站立姿态不变",
      "category": "身体姿态",
      "rationale": "原图两人并立,魏晋女性社交场合站立为常见姿态",
      "evidence_strength": "●",
      "wiki_ref": "—",
      "atlas_ref": "19_xuxianxiu_mural_2"
    }
  ],
  "edit_prompt": "Photo-realistic documentary photo (Canon 5D, 85mm, natural daylight). Edit the first input image. PRESERVE: identical face per person (same identity, eyes, nose, mouth, skin — NEVER replace with AI face), exact body pose (both standing upright unchanged), facing direction (both facing camera lens directly), screen-left/right positions (viewer perspective), hand gestures, camera framing. Modify only clothing, hair, background objects.\n\nPERSON ON SCREEN-LEFT (orig: wears black long shirt, has glasses, striped sleeves) → REMOVE eyeglasses; clothing: deep-color cross-collar wide-sleeve robe (daxiushan) in dark indigo or black, flowing silk fabric with subtle sheen, wide sleeves extending past wrists, cross-collar right-over-left neckline, narrow waistband tied at natural waist, floor-length hem; hair: thin cicada-wing temples (chanbin) fanning at sides with long hair partially gathered at back, glossy black hair with natural shine, NO modern short cut; stands as input.\n\nPERSON ON SCREEN-RIGHT (orig: wears black leather jacket, has long hair, leopard print shirt) → clothing: alternating-color short jacket (jianse ru) over long skirt, jacket in ochre-yellow and crimson-red alternating panels, knee-length jacket with narrow sleeves, high-waisted long skirt in deep green or indigo reaching floor, silk brocade texture; hair: tall ring-bun hairstyle (feitianji) with three black hair rings stacked high atop head pointing forward, thin temples, secured with silk ribbons, optional small gold step-sway hairpin; stands as input.\n\nBackground: traditional Wei-Jin interior (woven floor mats, exposed wood beam ceiling, paper-screen lattice windows, celadon pottery on low wooden shelves) in mineral pigment colors (vermilion, indigo, ochre, deep green) where appropriate. Replace modern bar backdrop with: wooden wall panels in natural brown, celadon chicken-head ewers on low lacquer shelf, small ceramic oil lamps with yellow-orange flame glow, bamboo blinds partially rolled at window. Remove: neon, LED, modern furniture, chairs, English text, modern logos, bottles with labels, metal fixtures. Style: photo-realistic, NOT painting/illustration/anime/ink-wash. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools (stand on woven mat floor); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern short cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses. Faces unchanged.",
  "scene_narrative": {
    "text": "太元末年,建康。谢氏别院夜宴初散,卫三娘与王五姐并肩立于廊下,身后青瓷鸡首壶斜倚矮架,壶口尚有浊酒余香。三娘捋了捋蝉鬓,笑道:"今夜那阮咸弹得,我听着都想睡了。"五姐飞天髻上的步摇晃了两晃,斜睨她一眼:"你是嫌曲子闷,还是嫌人闷?"檐角豆形灯里脂烛跳了一跳,照得两人影子在夯土墙上拉得老长。远处传来一声犬吠,夜凉如水。",
    "character_names": ["卫三娘", "王五姐"],
    "era_setting": "太元末年,建康",
    "objects_mentioned": ["青瓷鸡首壶", "浊酒", "蝉鬓", "飞天髻", "步摇", "阮咸", "豆形灯", "脂烛"]
  }
}
```