太元十二年,建康
太元十二年,建康。谢氏医馆年会,卫季云与王叔明并肩立于厅中。季云一袭绛襦,锦囊悬于腰侧,笑道:“今年又是丰收,三十车药材已到江陵。“叔明玄衫曳地,披风搭臂,微微颔首:“你那批茱萸卖得如何?“季云眨眨眼:“早被洛阳那边订走了,连夜走水路。“墙角陶灯微明,照得两人影子在夯土墙上晃了一晃。远处传来丝竹声,有人在隔壁厅里抚琴。窗外竹影摇动。
考据映射 · 9 条
- 红色连衣裙MODERN绛色交领襦裙● 强证据
《晋书·舆服志》载“绛色为贵妇所尚”,嘉峪关画像砖可见
- 黑色西装MODERN玄色交领大袖衫● 强证据
交领右衽宽袖长衫,袖宽可达50-60厘米,袖长过手20-30厘米,衣长及膝或过膝。多用葛布、细麻布或丝绸制成,不束腰带,任其自然下垂。
《世说新语·容止》载名士“衣冠楚楚”,玄色为士族常服
来源:- 文献:南朝·刘义庆《世说新语·容止》 - 图像:东晋·顾恺之《洛神赋图》(宋摹本) - 文献:南朝·萧统《文选·赋》查看图景 → - 手提包MODERN锦囊● 强证据
新疆尼雅东晋墓出土锦囊实物,《世说新语》多处载
- 外套MODERN披风◐ 推断
北朝陶俑多见披风形制,《洛阳伽蓝记》载
- 名牌MODERN竹简名刺● 强证据
将竹或木片削成长条(竹简长约 23-25 厘米、宽 0.5-1.2 厘米),阴干后以麻绳或丝编联成册(称"编")。一片可书约 20-40 字。魏晋时期与帛书、纸并行,官府文书、法律、佛经早期多用竹简。
《晋书·王导传》载“投刺谒见”,竹简作名片
来源:- 实物:甘肃武威磨咀子汉晋墓出土简牍(甘肃省博物馆藏) - 实物:新疆尼雅遗址东晋"五星出东方"锦护臂同墓出土简牍 - 文献:西晋·陈寿《三国志·吴书》查看图景 → - 标识牌MODERN木牌榜文● 强证据
《洛阳伽蓝记》载寺院“榜题”,木牌书写
- 地毯MODERN茵席● 强证据
以蒲草、莞草、竹篾编织的方形或长方形垫,长宽 80-120 厘米,厚 1-3 厘米。礼制讲究"席不正不坐"。一人一席(独坐)或多人同席(共坐)。讲究场合用双层席(下素席 + 上加彩席)。
《礼记·曲礼》”席不正不坐“延续至魏晋,嘉峪关画像砖可见
来源:- 文献:先秦·《礼记·曲礼》(魏晋延续) - 图像:甘肃嘉峪关新城魏晋五号墓画像砖"宴饮图" - 图像:南京西善桥南朝墓《竹林七贤与荣启期》砖画查看图景 → - 木质装饰墙MODERN夯土墙抹灰● 强证据
以黄土或红褐土分层夯实而成,层厚 8-15 厘米,层间可见水平夯线。墙高 3-8 米(宅院)至 10 米以上(城墙)。外表可抹白灰或黄土灰泥,也可裸露。墙基宽大,向上逐渐收窄。
邺城遗址夯土墙遗存,《营造法式》追溯版筑法
来源:- 实物:河南安阳邺城遗址夯土墙(北朝) - 实物:山西大同北魏平城遗址 - 文献:北宋·李诫《营造法式·壕寨制度》查看图景 → - 室内照明MODERN陶灯● 强证据
陶土烧制的油灯,结构为"豆形"——下有圈足,中有柱(灯杆),上为敞口浅盘(盛油与灯芯)。高约 15-30 厘米,盘径 8-12 厘米。灯油为植物油(麻油、桐油)或动物脂。灯芯用麻线、蒲心。青瓷灯至南朝尤精美。
南京象山东晋墓出土青瓷灯,《世说新语》载
来源:- 实物:江苏南京象山东晋王兴之墓出土青瓷灯(南京博物院藏) - 实物:安徽马鞍山朱然墓出土青瓷灯 - 文献:南朝·刘义庆《世说新语·夙惠》查看图景 →
▸ Trace 时间线 · 15 条
▸ 图像编辑 prompt · 2118 字
Edit the first reference image. Keep exact composition, faces unchanged (same identity, eyes, nose, mouth, skin per person), body poses (both standing upright), facing direction (both facing camera lens directly), screen positions (person in red dress on screen-left, person in black suit on screen-right), hand gestures, camera framing. Modify only clothing, hair, objects, background. PERSON ON SCREEN-LEFT (orig: red dress, holds clutch bag) → REMOVE modern purse clutch; clothing: cross-collar crimson silk襦裙 floor-length flowing skirt with wide sleeves, vermilion red silk fabric with subtle cloud patterns, high-waisted tied with silk sash, sleeves extending past wrists; hair: high coiled bun (飞天髻) with jade hairpin and dangling ornaments, side locks framing face; holds small embroidered brocade pouch at waist; stands as input. PERSON ON SCREEN-RIGHT (orig: black suit, holds jacket) → REMOVE modern suit jacket; clothing: cross-collar dark indigo-black silk大袖衫 wide-sleeve robe extending to ankles, natural drape with subtle folds, tied at waist with dark fabric belt; hair: tied topknot (束髻) wrapped with dark cloth幅巾 headband; holds folded dark silk披风 cloak draped over left arm; stands as input. Background: traditional Wei-Jin interior hall (tingtang), timber pillars with exposed beam ceiling, tamped earth walls with thin white lime wash, woven floor茵席 mat underfoot, paper-screen lattice windows (直棂窗) allowing soft natural daylight, small lacquered wooden低案 table visible at side, mineral pigment colors (vermilion, indigo, ochre, deep green) where appropriate. Remove: modern signage, English text, name badges, modern carpet pattern, contemporary lighting fixtures, modern door frames. Style: photo-realistic documentary, NOT painting NOT illustration NOT anime. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools/benches (stand on woven mat only); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern styled hair); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton fabric, folding fans, blue-white porcelain, eyeglasses, watches, modern accessories. Faces unchanged.
▸ Claude 原始返回 · 4991 字
```json
{
"scene_recognition": {
"scene_type": "室内活动",
"people_count": 2,
"modern_elements": [
{"name": "红色连衣裙", "category": "服饰"},
{"name": "黑色西装", "category": "服饰"},
{"name": "手提包", "category": "器物工具"},
{"name": "外套", "category": "服饰"},
{"name": "标识牌", "category": "空间场景"},
{"name": "地毯", "category": "空间场景"},
{"name": "木质装饰墙", "category": "空间场景"},
{"name": "名牌", "category": "器物工具"}
]
},
"mappings": [
{
"modern": "红色连衣裙",
"ancient": "绛色交领襦裙",
"category": "服饰",
"rationale": "《晋书·舆服志》载"绛色为贵妇所尚",嘉峪关画像砖可见",
"evidence_strength": "●",
"wiki_ref": "[[襦裙]]",
"atlas_ref": "19_xuxianxiu_mural_2"
},
{
"modern": "黑色西装",
"ancient": "玄色交领大袖衫",
"category": "服饰",
"rationale": "《世说新语·容止》载名士"衣冠楚楚",玄色为士族常服",
"evidence_strength": "●",
"wiki_ref": "[[大袖衫]]",
"atlas_ref": "09_sunwei_gaoyitu"
},
{
"modern": "手提包",
"ancient": "锦囊",
"category": "器物工具",
"rationale": "新疆尼雅东晋墓出土锦囊实物,《世说新语》多处载",
"evidence_strength": "●",
"wiki_ref": "[[香囊]]",
"atlas_ref": ""
},
{
"modern": "外套",
"ancient": "披风",
"category": "服饰",
"rationale": "北朝陶俑多见披风形制,《洛阳伽蓝记》载",
"evidence_strength": "◐",
"wiki_ref": "[[披风]]",
"atlas_ref": "53_fengmao_yong"
},
{
"modern": "名牌",
"ancient": "竹简名刺",
"category": "器物工具",
"rationale": "《晋书·王导传》载"投刺谒见",竹简作名片",
"evidence_strength": "●",
"wiki_ref": "[[竹简]]",
"atlas_ref": ""
},
{
"modern": "标识牌",
"ancient": "木牌榜文",
"category": "空间场景",
"rationale": "《洛阳伽蓝记》载寺院"榜题",木牌书写",
"evidence_strength": "●",
"wiki_ref": "",
"atlas_ref": ""
},
{
"modern": "地毯",
"ancient": "茵席",
"category": "坐具家具",
"rationale": "《礼记·曲礼》"席不正不坐"延续至魏晋,嘉峪关画像砖可见",
"evidence_strength": "●",
"wiki_ref": "[[席]]",
"atlas_ref": "10_zhulinqixian_zhuanhua"
},
{
"modern": "木质装饰墙",
"ancient": "夯土墙抹灰",
"category": "空间建筑",
"rationale": "邺城遗址夯土墙遗存,《营造法式》追溯版筑法",
"evidence_strength": "●",
"wiki_ref": "[[夯土墙]]",
"atlas_ref": ""
},
{
"modern": "室内照明",
"ancient": "陶灯",
"category": "照明",
"rationale": "南京象山东晋墓出土青瓷灯,《世说新语》载",
"evidence_strength": "●",
"wiki_ref": "[[陶灯]]",
"atlas_ref": "51_dongjin_niuxing_deng"
}
],
"edit_prompt": "Edit the first reference image. Keep exact composition, faces unchanged (same identity, eyes, nose, mouth, skin per person), body poses (both standing upright), facing direction (both facing camera lens directly), screen positions (person in red dress on screen-left, person in black suit on screen-right), hand gestures, camera framing. Modify only clothing, hair, objects, background. PERSON ON SCREEN-LEFT (orig: red dress, holds clutch bag) → REMOVE modern purse clutch; clothing: cross-collar crimson silk襦裙 floor-length flowing skirt with wide sleeves, vermilion red silk fabric with subtle cloud patterns, high-waisted tied with silk sash, sleeves extending past wrists; hair: high coiled bun (飞天髻) with jade hairpin and dangling ornaments, side locks framing face; holds small embroidered brocade pouch at waist; stands as input. PERSON ON SCREEN-RIGHT (orig: black suit, holds jacket) → REMOVE modern suit jacket; clothing: cross-collar dark indigo-black silk大袖衫 wide-sleeve robe extending to ankles, natural drape with subtle folds, tied at waist with dark fabric belt; hair: tied topknot (束髻) wrapped with dark cloth幅巾 headband; holds folded dark silk披风 cloak draped over left arm; stands as input. Background: traditional Wei-Jin interior hall (tingtang), timber pillars with exposed beam ceiling, tamped earth walls with thin white lime wash, woven floor茵席 mat underfoot, paper-screen lattice windows (直棂窗) allowing soft natural daylight, small lacquered wooden低案 table visible at side, mineral pigment colors (vermilion, indigo, ochre, deep green) where appropriate. Remove: modern signage, English text, name badges, modern carpet pattern, contemporary lighting fixtures, modern door frames. Style: photo-realistic documentary, NOT painting NOT illustration NOT anime. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools/benches (stand on woven mat only); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern styled hair); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton fabric, folding fans, blue-white porcelain, eyeglasses, watches, modern accessories. Faces unchanged.",
"scene_narrative": {
"text": "太元十二年,建康。谢氏医馆年会,卫季云与王叔明并肩立于厅中。季云一袭绛襦,锦囊悬于腰侧,笑道:"今年又是丰收,三十车药材已到江陵。"叔明玄衫曳地,披风搭臂,微微颔首:"你那批茱萸卖得如何?"季云眨眨眼:"早被洛阳那边订走了,连夜走水路。"墙角陶灯微明,照得两人影子在夯土墙上晃了一晃。远处传来丝竹声,有人在隔壁厅里抚琴。窗外竹影摇动。",
"character_names": ["卫季云", "王叔明"],
"era_setting": "太元十二年,建康",
"objects_mentioned": ["绛襦", "锦囊", "茱萸", "陶灯", "夯土墙", "丝竹", "竹影"]
}
}
```
