太元末年,建康
太元末年,建康。医师王叔安与药商陈季文并立于厅堂,二人刚从一年一度的药市大会归来。叔安手中捏着一枚玉印绶,笑道:“今年这印信总算换新了,去年那枚都磨得看不清字了。“季文将披风搭在臂弯,从锦囊里掏出一卷帛书:“你看这方子,洛阳来的胡商说能治瘴气,我瞧着像茱萸加了点稀罕药材。“叔安接过帛书,凑到铜灯下细看,皱眉道:“这字写得潦草,怕是抄错了。“季文耸耸肩:“管他呢,反正卖得出去。“檐下风动,帘子摇了三摇。
考据映射 · 9 条
- 红色连衣裙MODERN绛色交领襦裙● 强证据
《晋书·舆服志》载贵族女性着绛紫襦裙,顾恺之《女史箴图》可见
- 黑色西装MODERN玄色交领大袖衫● 强证据
交领右衽宽袖长衫,袖宽可达50-60厘米,袖长过手20-30厘米,衣长及膝或过膝。多用葛布、细麻布或丝绸制成,不束腰带,任其自然下垂。
《世说新语·容止》载名士多着玄色袍,南朝墓砖画可见
来源:- 文献:南朝·刘义庆《世说新语·容止》 - 图像:东晋·顾恺之《洛神赋图》(宋摹本) - 文献:南朝·萧统《文选·赋》查看图景 → - 名牌MODERN印绶● 强证据
《晋书·舆服志》载官员佩印绶以示身份,马鞍山朱然墓出土玉印
- 外套MODERN披风◐ 推断
北朝壁画多见披风形制,徐显秀墓壁画可见
- 手提包MODERN锦囊● 强证据
《世说新语》多处载锦囊盛物,新疆尼雅晋墓出土锦囊实物
- 室内墙面MODERN夯土墙抹白灰● 强证据
以黄土或红褐土分层夯实而成,层厚 8-15 厘米,层间可见水平夯线。墙高 3-8 米(宅院)至 10 米以上(城墙)。外表可抹白灰或黄土灰泥,也可裸露。墙基宽大,向上逐渐收窄。
河南邺城、山西大同北魏平城遗址夯土墙遗存,室内抹白灰
来源:- 实物:河南安阳邺城遗址夯土墙(北朝) - 实物:山西大同北魏平城遗址 - 文献:北宋·李诫《营造法式·壕寨制度》查看图景 → - 现代地毯MODERN彩织茵席● 强证据
以蒲草、莞草、竹篾编织的方形或长方形垫,长宽 80-120 厘米,厚 1-3 厘米。礼制讲究"席不正不坐"。一人一席(独坐)或多人同席(共坐)。讲究场合用双层席(下素席 + 上加彩席)。
《世说新语》载贵族用彩织席,马王堆汉墓延续至魏晋
来源:- 文献:先秦·《礼记·曲礼》(魏晋延续) - 图像:甘肃嘉峪关新城魏晋五号墓画像砖"宴饮图" - 图像:南京西善桥南朝墓《竹林七贤与荣启期》砖画查看图景 → - 现代照明MODERN铜灯● 强证据
铜或铜合金铸造的油灯,高等级贵族使用。形制除基本豆形外,更有人形灯(执灯俑)、动物形灯(羊形、牛形)、多枝灯(一灯多盏)。通高 20-50 厘米。盘内燃油或置脂烛。
南京象山东晋墓出土青铜灯,豆形高足
来源:- 实物:江苏南京象山东晋墓出土青铜灯 - 实物:甘肃武威雷台汉晋墓出土铜人灯(形制延续) - 文献:东晋·葛洪《西京杂记》查看图景 → - 标识牌MODERN木牌榜文◐ 推断
《洛阳伽蓝记》载寺院、官署设木牌榜示
▸ Trace 时间线 · 15 条
▸ 图像编辑 prompt · 2163 字
Edit the first reference image. Keep exact composition, faces, number of people, body poses unchanged. PRESERVE: identical face per person (same identity, eyes, nose, mouth, skin), exact standing upright poses, both facing camera lens directly, screen-left/right positions (viewer perspective), hand gestures, camera framing. Modify only clothing, hair, objects, background. PERSON ON SCREEN-LEFT (orig: red dress, clutch): REMOVE modern dress, jewelry, clutch; clothing: cross-collar crimson-red silk襦裙 (ru-qun) with wide flowing sleeves, high-waisted long skirt with subtle floral brocade pattern, vermilion and deep red mineral pigments, silk sash at waist, jade pendant hanging from belt; hair: high coiled bun (飞天髻 fei-tian-ji) with jade hairpin and dangling pearl ornaments, side locks framing face; stands as input. PERSON ON SCREEN-RIGHT (orig: black suit, holds jacket): REMOVE modern suit, jacket, watch; clothing: cross-collar dark indigo-black silk wide-sleeve robe (大袖衫 da-xiu-shan) reaching ankles, vermilion inner collar visible, dark fabric belt at waist with jade seal (印绶 yin-shou) and brocade pouch hanging, simple dark leather boots; hair: topknot (束髻 shu-ji) wrapped with dark silk headband (幅巾 fu-jin), short beard; stands as input holding folded dark cloak over arm. Background: traditional Wei-Jin interior hall (tingtang), woven floor mats with geometric border patterns, low wooden platforms, white-washed rammed-earth walls with exposed wood beams, paper-screen lattice windows, bronze oil lamps on low lacquered stands, ink-painted folding screens in background, mineral pigment colors (vermilion, indigo, ochre, deep green) where appropriate. Remove: neon, LED, modern furniture, chairs, English/simplified text, modern logos, posters, carpet. Style: photo-realistic documentary, NOT painting/illustration/anime/ink-wash. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools/benches/sofas (stand on woven mat only); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern short cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses, watches. Faces unchanged.
▸ Claude 原始返回 · 5050 字
```json
{
"scene_recognition": {
"scene_type": "室内活动",
"people_count": 2,
"modern_elements": [
{"name": "红色连衣裙", "category": "服饰"},
{"name": "黑色西装", "category": "服饰"},
{"name": "名牌", "category": "器物工具"},
{"name": "外套", "category": "服饰"},
{"name": "手提包", "category": "器物工具"},
{"name": "室内墙面标识牌", "category": "空间场景"},
{"name": "现代地毯", "category": "空间场景"},
{"name": "现代照明", "category": "照明"}
]
},
"mappings": [
{
"modern": "红色连衣裙",
"ancient": "绛色交领襦裙",
"category": "服饰",
"rationale": "《晋书·舆服志》载贵族女性着绛紫襦裙,顾恺之《女史箴图》可见",
"evidence_strength": "●",
"wiki_ref": "[[袿衣]]",
"atlas_ref": "12_nvshizhen_tu"
},
{
"modern": "黑色西装",
"ancient": "玄色交领大袖衫",
"category": "服饰",
"rationale": "《世说新语·容止》载名士多着玄色袍,南朝墓砖画可见",
"evidence_strength": "●",
"wiki_ref": "[[大袖衫]]",
"atlas_ref": "09_sunwei_gaoyitu"
},
{
"modern": "名牌",
"ancient": "印绶",
"category": "器物工具",
"rationale": "《晋书·舆服志》载官员佩印绶以示身份,马鞍山朱然墓出土玉印",
"evidence_strength": "●",
"wiki_ref": "[[印章]]",
"atlas_ref": ""
},
{
"modern": "外套",
"ancient": "披风",
"category": "服饰",
"rationale": "北朝壁画多见披风形制,徐显秀墓壁画可见",
"evidence_strength": "◐",
"wiki_ref": "[[大袖衫]]",
"atlas_ref": "18_xuxianxiu_mural_1"
},
{
"modern": "手提包",
"ancient": "锦囊",
"category": "器物工具",
"rationale": "《世说新语》多处载锦囊盛物,新疆尼雅晋墓出土锦囊实物",
"evidence_strength": "●",
"wiki_ref": "[[香囊]]",
"atlas_ref": ""
},
{
"modern": "室内墙面",
"ancient": "夯土墙抹白灰",
"category": "空间场景",
"rationale": "河南邺城、山西大同北魏平城遗址夯土墙遗存,室内抹白灰",
"evidence_strength": "●",
"wiki_ref": "[[夯土墙]]",
"atlas_ref": ""
},
{
"modern": "现代地毯",
"ancient": "彩织茵席",
"category": "空间场景",
"rationale": "《世说新语》载贵族用彩织席,马王堆汉墓延续至魏晋",
"evidence_strength": "●",
"wiki_ref": "[[席]]",
"atlas_ref": "09_sunwei_gaoyitu"
},
{
"modern": "现代照明",
"ancient": "铜灯",
"category": "照明",
"rationale": "南京象山东晋墓出土青铜灯,豆形高足",
"evidence_strength": "●",
"wiki_ref": "[[铜灯]]",
"atlas_ref": ""
},
{
"modern": "标识牌",
"ancient": "木牌榜文",
"category": "器物工具",
"rationale": "《洛阳伽蓝记》载寺院、官署设木牌榜示",
"evidence_strength": "◐",
"wiki_ref": "",
"atlas_ref": ""
}
],
"edit_prompt": "Edit the first reference image. Keep exact composition, faces, number of people, body poses unchanged. PRESERVE: identical face per person (same identity, eyes, nose, mouth, skin), exact standing upright poses, both facing camera lens directly, screen-left/right positions (viewer perspective), hand gestures, camera framing. Modify only clothing, hair, objects, background. PERSON ON SCREEN-LEFT (orig: red dress, clutch): REMOVE modern dress, jewelry, clutch; clothing: cross-collar crimson-red silk襦裙 (ru-qun) with wide flowing sleeves, high-waisted long skirt with subtle floral brocade pattern, vermilion and deep red mineral pigments, silk sash at waist, jade pendant hanging from belt; hair: high coiled bun (飞天髻 fei-tian-ji) with jade hairpin and dangling pearl ornaments, side locks framing face; stands as input. PERSON ON SCREEN-RIGHT (orig: black suit, holds jacket): REMOVE modern suit, jacket, watch; clothing: cross-collar dark indigo-black silk wide-sleeve robe (大袖衫 da-xiu-shan) reaching ankles, vermilion inner collar visible, dark fabric belt at waist with jade seal (印绶 yin-shou) and brocade pouch hanging, simple dark leather boots; hair: topknot (束髻 shu-ji) wrapped with dark silk headband (幅巾 fu-jin), short beard; stands as input holding folded dark cloak over arm. Background: traditional Wei-Jin interior hall (tingtang), woven floor mats with geometric border patterns, low wooden platforms, white-washed rammed-earth walls with exposed wood beams, paper-screen lattice windows, bronze oil lamps on low lacquered stands, ink-painted folding screens in background, mineral pigment colors (vermilion, indigo, ochre, deep green) where appropriate. Remove: neon, LED, modern furniture, chairs, English/simplified text, modern logos, posters, carpet. Style: photo-realistic documentary, NOT painting/illustration/anime/ink-wash. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools/benches/sofas (stand on woven mat only); NO post-Wei-Jin hair (NO Tang high buns, Song parted, Qing braid, modern short cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses, watches. Faces unchanged.",
"scene_narrative": {
"text": "太元末年,建康。医师王叔安与药商陈季文并立于厅堂,二人刚从一年一度的药市大会归来。叔安手中捏着一枚玉印绶,笑道:"今年这印信总算换新了,去年那枚都磨得看不清字了。"季文将披风搭在臂弯,从锦囊里掏出一卷帛书:"你看这方子,洛阳来的胡商说能治瘴气,我瞧着像茱萸加了点稀罕药材。"叔安接过帛书,凑到铜灯下细看,皱眉道:"这字写得潦草,怕是抄错了。"季文耸耸肩:"管他呢,反正卖得出去。"檐下风动,帘子摇了三摇。",
"character_names": ["王叔安", "陈季文"],
"era_setting": "太元末年,建康",
"objects_mentioned": ["玉印绶", "披风", "锦囊", "帛书", "茱萸", "铜灯"]
}
}
```
