Edit the first reference image. PRESERVE: identical face per person (same identity, eyes, nose, mouth, skin — NEVER replace with AI face), exact body pose (sitting cross-legged unchanged for all three), facing direction (person on screen-left facing screen-right, person in center facing screen-right, person on screen-right facing screen-left), screen-left/center/right positions (viewer perspective), hand gestures, camera framing. Modify only clothing, hair, objects, background.

PERSON ON SCREEN-LEFT (orig: red hoodie holds smartphone wears glasses) → REMOVE eyeglasses; clothing: wide-sleeved robe (daxiushan) in vermilion red, cross-collar right lapel, extremely wide sleeves 50-60cm across extending past hands, knee-length, lightweight silk, loose fit without belt, flowing elegant scholar's garment; hair: black hair gathered into topknot wrapped with dark blue cloth headwrap (fujin) 1.5m long, ends hanging naturally; sits cross-legged on woven grass floor mat holding bamboo slip scroll, natural relaxed posture as input.

PERSON IN CENTER (orig: black jacket holds orange bag) → clothing: wide-sleeved robe in dark blue-black, same daxiushan construction as screen-left person, cross-collar, wide flowing sleeves, knee-length silk; hair: topknot with black fujin headwrap; sits cross-legged on woven mat, orange bag replaced with bamboo storage box (si) 30-40cm square beside him, natural posture unchanged.

PERSON ON SCREEN-RIGHT (orig: white T-shirt sits upright on chair) → clothing: wide-sleeved robe in pale ivory-white, same daxiushan form, cross-collar, flowing sleeves, lightweight fabric; hair: topknot with white or pale blue fujin; sits on portable folding camp stool (huchuang) with X-shaped wooden frame and rope seat 30-40cm tall, feet on ground, upright posture as input.

Background: outdoor scholar retreat (caolu vicinity), natural pine and bamboo grove, woven grass mats on ground, soft natural daylight filtering through trees, mineral pigment palette (vermilion, indigo, ivory, natural wood tones, green foliage). Remove: modern buildings, paved surfaces, plastic furniture, signage, eyeglasses, smartphones (replace with bamboo slips), modern clothing. Style: photo-realistic documentary photo (Canon 5D, 85mm, natural light), NOT painting NOT illustration. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools except huchuang folding stool (唯一允许的类椅坐具); NO post-Wei-Jin hair (NO Tang high buns, Song parts, Qing braids, modern cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses. Faces unchanged.

```json
{
  "scene_recognition": {
    "scene_type": "户外学习",
    "people_count": 3,
    "modern_elements": [
      {"name": "红色连帽衫", "category": "服饰"},
      {"name": "黑色夹克", "category": "服饰"},
      {"name": "白色T恤", "category": "服饰"},
      {"name": "眼镜", "category": "首服/发型"},
      {"name": "智能手机", "category": "器物工具"},
      {"name": "橙色背包", "category": "器物工具"},
      {"name": "豆袋沙发椅", "category": "坐具家具"},
      {"name": "塑料椅", "category": "坐具家具"},
      {"name": "草坪", "category": "空间场景"},
      {"name": "现代树木绿化", "category": "空间场景"}
    ]
  },
  "mappings": [
    {
      "modern": "红色连帽衫",
      "ancient": "大袖衫（朱红色）",
      "category": "服饰",
      "rationale": "《世说新语》载名士"衣褐振裾"，大袖衫为文人标志服",
      "evidence_strength": "●",
      "wiki_ref": "[[大袖衫]]",
      "atlas_ref": "09_sunwei_gaoyitu, 10_zhulinqixian_zhuanhua"
    },
    {
      "modern": "黑色夹克",
      "ancient": "大袖衫（玄青色）",
      "category": "服饰",
      "rationale": "顾恺之《洛神赋图》描绘文人宽袖交领衫，玄青为士族常用色",
      "evidence_strength": "●",
      "wiki_ref": "[[大袖衫]]",
      "atlas_ref": "11_luoshenfu_tu"
    },
    {
      "modern": "白色T恤",
      "ancient": "大袖衫（月白色）",
      "category": "服饰",
      "rationale": "《世说新语·容止》载名士"素衣乌帽"，月白为清雅文人首选",
      "evidence_strength": "●",
      "wiki_ref": "[[大袖衫]]",
      "atlas_ref": "xhs09_daxiuru_wenren"
    },
    {
      "modern": "眼镜",
      "ancient": "移除",
      "category": "首服/发型",
      "rationale": "眼镜明代传入，魏晋无此物",
      "evidence_strength": "移除",
      "wiki_ref": "",
      "atlas_ref": ""
    },
    {
      "modern": "智能手机",
      "ancient": "竹简",
      "category": "器物工具",
      "rationale": "甘肃武威磨咀子汉晋简、新疆尼雅晋简大量出土，为魏晋主要书写介质",
      "evidence_strength": "●",
      "wiki_ref": "[[竹简]]",
      "atlas_ref": "17_beiqi_jiaoshutu"
    },
    {
      "modern": "橙色背包",
      "ancient": "竹笥",
      "category": "器物工具",
      "rationale": "马鞍山朱然墓出土竹笥实物，为魏晋贮书贮物常用器",
      "evidence_strength": "●",
      "wiki_ref": "[[笥]]",
      "atlas_ref": ""
    },
    {
      "modern": "豆袋沙发椅",
      "ancient": "席 + 隐囊",
      "category": "坐具家具",
      "rationale": "嘉峪关魏晋墓画像砖"宴饮图"清晰描绘席地坐，《南史》载"隐囊而坐"",
      "evidence_strength": "●",
      "wiki_ref": "[[席]][[隐囊]]",
      "atlas_ref": "10_zhulinqixian_zhuanhua, 32_jiayuguan_brick_paochu_3ren"
    },
    {
      "modern": "塑料椅",
      "ancient": "胡床",
      "category": "坐具家具",
      "rationale": "《世说新语·容止》"褚公乘胡床"，嘉峪关魏晋墓画像砖可见折叠式胡床",
      "evidence_strength": "●",
      "wiki_ref": "[[胡床]]",
      "atlas_ref": "31_jiayuguan_brick_niuche"
    },
    {
      "modern": "草坪",
      "ancient": "草庐外竹林草地",
      "category": "空间场景",
      "rationale": "陶渊明《归去来兮辞》《桃花源记》描写田园草庐，竹林七贤砖画背景为竹林",
      "evidence_strength": "●",
      "wiki_ref": "[[草庐]]",
      "atlas_ref": "10_zhulinqixian_zhuanhua"
    },
    {
      "modern": "现代树木绿化",
      "ancient": "自然松竹林",
      "category": "空间场景",
      "rationale": "《世说新语》多载名士"竹林之游"，南朝墓砖画背景常见松竹",
      "evidence_strength": "●",
      "wiki_ref": "[[草庐]]",
      "atlas_ref": "10_zhulinqixian_zhuanhua, 29_weijin_brick_zajuchuishao"
    }
  ],
  "edit_prompt": "Edit the first reference image. PRESERVE: identical face per person (same identity, eyes, nose, mouth, skin — NEVER replace with AI face), exact body pose (sitting cross-legged unchanged for all three), facing direction (person on screen-left facing screen-right, person in center facing screen-right, person on screen-right facing screen-left), screen-left/center/right positions (viewer perspective), hand gestures, camera framing. Modify only clothing, hair, objects, background.\n\nPERSON ON SCREEN-LEFT (orig: red hoodie holds smartphone wears glasses) → REMOVE eyeglasses; clothing: wide-sleeved robe (daxiushan) in vermilion red, cross-collar right lapel, extremely wide sleeves 50-60cm across extending past hands, knee-length, lightweight silk, loose fit without belt, flowing elegant scholar's garment; hair: black hair gathered into topknot wrapped with dark blue cloth headwrap (fujin) 1.5m long, ends hanging naturally; sits cross-legged on woven grass floor mat holding bamboo slip scroll, natural relaxed posture as input.\n\nPERSON IN CENTER (orig: black jacket holds orange bag) → clothing: wide-sleeved robe in dark blue-black, same daxiushan construction as screen-left person, cross-collar, wide flowing sleeves, knee-length silk; hair: topknot with black fujin headwrap; sits cross-legged on woven mat, orange bag replaced with bamboo storage box (si) 30-40cm square beside him, natural posture unchanged.\n\nPERSON ON SCREEN-RIGHT (orig: white T-shirt sits upright on chair) → clothing: wide-sleeved robe in pale ivory-white, same daxiushan form, cross-collar, flowing sleeves, lightweight fabric; hair: topknot with white or pale blue fujin; sits on portable folding camp stool (huchuang) with X-shaped wooden frame and rope seat 30-40cm tall, feet on ground, upright posture as input.\n\nBackground: outdoor scholar retreat (caolu vicinity), natural pine and bamboo grove, woven grass mats on ground, soft natural daylight filtering through trees, mineral pigment palette (vermilion, indigo, ivory, natural wood tones, green foliage). Remove: modern buildings, paved surfaces, plastic furniture, signage, eyeglasses, smartphones (replace with bamboo slips), modern clothing. Style: photo-realistic documentary photo (Canon 5D, 85mm, natural light), NOT painting NOT illustration. Wei Jin (220-589 AD) ONLY. CRITICAL: NO chairs/stools except huchuang folding stool (唯一允许的类椅坐具); NO post-Wei-Jin hair (NO Tang high buns, Song parts, Qing braids, modern cuts); NO Tang/Song/Ming/Qing/Japanese/Korean styles; NO cotton, folding fans, blue-white porcelain, eyeglasses. Faces unchanged.",
  "scene_narrative": {
    "text": "太元末年，会稽。陈季方与谢仲文、王叔度三人席地而坐于竹林草地。季方着朱红大袖衫，手执竹简，蹙眉道："此篇辞藻虽丽，终不及《洛神》之韵。"仲文闻言笑了，将竹笥推向一旁："你这是第几遍改了？"叔度倚在胡床上，懒懒道："改到天黑也无用，不如去江边看落日。"远处传来一声鸟鸣，松针簌簌落了几根。",
    "character_names": ["陈季方", "谢仲文", "王叔度"],
    "era_setting": "太元末年，会稽",
    "objects_mentioned": ["朱红大袖衫", "竹简", "竹笥", "胡床", "竹林", "草地席"]
  }
}
```