Photo-realistic documentary photograph, shot on Canon 5D with 85mm f/1.4 lens, natural daylight, shallow depth of field, sharp focus on faces. Edit the first input image with strict identity preservation.

🔒 FACE IDENTITY LOCK (MOST CRITICAL):
- Each person's face must remain IDENTICAL to the input image: same face shape, same eye shape and position, same nose shape, same mouth shape, same skin tone, same jaw line. The viewer must instantly recognize the same individuals.
- You MAY ADD period-appropriate features: traditional makeup for female roles (subtle eyebrow drawing, light lip color, light face powder).
- You MUST NOT change: face proportions, eye color, nose bridge, lip shape, age appearance, ethnicity, fundamental facial structure.
- 🚨 NEVER replace the original face with a generic or AI-imagined face. Use the input image faces as the unchangeable identity anchor.

🔒 STANCE / POSE / COMPOSITION LOCK:
- Preserve the EXACT body pose from input (standing upright). Do NOT convert to sitting or kneeling.
- Preserve the EXACT facing direction from input: person on screen-left facing screen-right, center person facing camera, screen-right person facing camera. Do NOT rotate the figures.
- Preserve relative positioning (side-by-side standing).
- Preserve hand gestures — only the held object (food) is replaced.
- Camera angle, distance, framing identical to input.

🔒 SCREEN-LEFT / SCREEN-RIGHT (VIEWER PERSPECTIVE):
- Every directional word (screen-left, screen-right) refers to the VIEWER's perspective — the side of the frame as a viewer sees it on screen. NOT the depicted person's anatomical own-left or own-right.
- Always say screen-left / screen-right. Never say bare left / right alone.

🔒 NARRATIVE SERVES POSE:
- Identify the activity in the input (eating together while standing) and write a Wei-Jin equivalent of THAT activity. Do not invent activities the input does not show.

Keep the exact composition, same number of people, same poses and body positions, same left/right positioning. Only replace clothing, objects, and background elements as specified below.

PERSON ON SCREEN-LEFT (occupies left half of viewer's frame; original wears striped shirt, short hair):
  - Face: identical to input (identity anchor)
  - Facing direction: facing screen-right side (addressing the center person)
  - REMOVE: modern striped shirt, any modern accessories
  - Replace clothing with layered silk dress (zaju chuishao), cross-collar narrow-sleeve top over multi-panel long skirt with swallow-tail hem, multiple triangular streamers hanging from waistband, alternating color panels in crimson-cream, high empire waist, flowing silhouette, elegant Wei-Jin noblewoman attire
  - Replace modern hairstyle with tall ring-bun hairstyle (feitianji), three black hair rings stacked high atop head pointing forward, thin cicada-wing temples fanning at sides, glossy dark hair, secured with silk ribbons
  - Replace modern footwear with silk brocade slippers (sili), crimson fabric uppers with embroidered cloud-bird motifs, slightly upturned toe
  - Position: stays on screen-left side of frame

PERSON ON SCREEN-CENTER (occupies center of viewer's frame; original wears purple cap, black hoodie):
  - Face: identical to input (identity anchor)
  - Facing direction: facing camera lens directly
  - REMOVE: purple baseball cap, black hoodie, any modern accessories
  - Replace clothing with layered silk dress (zaju chuishao), cross-collar narrow-sleeve top over multi-panel long skirt with swallow-tail hem, multiple triangular streamers hanging from waistband, alternating color panels in blue-yellow, high empire waist, flowing silhouette
  - Replace modern hairstyle with tall ring-bun hairstyle (feitianji), five black hair rings stacked high atop head pointing forward, thin cicada-wing temples fanning at sides, glossy dark hair, secured with silk ribbons or ornate hairpins
  - Replace modern footwear with silk brocade slippers (sili), deep purple fabric uppers with embroidered motifs
  - Position: stays on screen-center of frame

PERSON ON SCREEN-RIGHT (occupies right half of viewer's frame; original wears gray jacket, long hair):
  - Face: identical to input (identity anchor)
  - Facing direction: facing camera lens directly
  - REMOVE: gray jacket, any modern accessories
  - Replace clothing with layered silk dress (zaju chuishao), cross-collar narrow-sleeve top over multi-panel long skirt with swallow-tail hem, multiple triangular streamers hanging from waistband, alternating color panels in jade-green and pale-pink, high empire waist, flowing silhouette
  - Replace modern hairstyle with tall ring-bun hairstyle (feitianji), three to five black hair rings stacked high atop head pointing forward, thin cicada-wing temples fanning at sides, glossy dark hair
  - Replace modern footwear with silk brocade slippers (sili), stone-blue fabric uppers
  - Position: stays on screen-right side of frame

BACKGROUND TRANSFORMATION:
- Remove all modern elements: pizza boxes, Domino's branding, printed English text, plastic packaging, modern furniture, photo wall with modern photos, cork board with modern prints, fluorescent lighting, modern wall paint
- Replace background with traditional Wei-Jin Chinese interior: rice-paper sliding screens (zhangzi), wooden lattice windows (zhilingchuang with vertical slats), exposed wooden beams with minimal bracket sets (dougong), low platforms with woven mats (xi), ink-painted folding screens (pingfeng) with landscape or historical figure paintings in vermilion lacquer frames
- Replace modern table with low lacquered dining table (qi an), rectangular wooden tray-table with very short legs 10-20cm high, glossy black or vermilion lacquer finish, gold painted cloud motifs along edges, 60-100cm long, placed on floor
- Replace pizza with round sesame flatbread (hubing), round oven-baked wheat flatbread 15-20cm diameter, golden-brown with scattered black sesame seeds, slightly charred spots, placed on lacquered tray
- Replace fries with round steamed wheat buns (zhengbing), beige to pale yellow color, diameter 10-12cm, slightly flattened dome shape, faint steam-pattern marks on surface, stacked on black lacquered wooden tray
- Add ceramic oil lamps (taodeng) with small yellow-orange flames for ambient lighting, placed on low tables
- Background colors: deep reds, indigo blues, ochre yellows, natural wood browns — rich natural mineral-pigment palette where role and setting permit

LIGHTING:
- Soft natural daylight from paper-screened windows (zhilingchuang), warm tone, gentle shadows
- Atmosphere: quiet noble gathering hall, family dining space, NOT theatrical, NOT staged

STYLE: Photo-realistic documentary photography, NOT painting, NOT illustration, NOT digital art, NOT anime, NOT Chinese ink wash, NOT oil painting. Wei Jin Northern Southern dynasties (220-589 AD) China. CRITICAL: NO chairs (everyone stands naturally as in input), NO Tang/Song/Ming/Qing elements, NO Japanese kimono, NO Korean hanbok, NO chili peppers, NO tomato, NO cotton fabric, NO folding fans, NO blue-and-white porcelain, NO modern footwear, NO baseball caps, NO hoodies, NO modern jackets, NO neon, NO LED, NO plastic. Faces must remain unchanged from input image. Three noblewomen standing and eating together in natural poses.

```json
{
  "scene_recognition": {
    "scene_type": "室内聚餐",
    "people_count": 3,
    "modern_elements": [
      {"name": "披萨盒", "category": "饮食"},
      {"name": "披萨", "category": "饮食"},
      {"name": "薯条", "category": "饮食"},
      {"name": "一次性塑料手套", "category": "器物工具"},
      {"name": "纸盒包装", "category": "器物工具"},
      {"name": "现代桌面", "category": "坐具家具"},
      {"name": "条纹衬衫", "category": "服饰"},
      {"name": "黑色连帽衫", "category": "服饰"},
      {"name": "灰色夹克", "category": "服饰"},
      {"name": "紫色棒球帽", "category": "首服/发型"},
      {"name": "现代短发", "category": "首服/发型"},
      {"name": "照片墙", "category": "空间场景"},
      {"name": "软木板", "category": "空间场景"},
      {"name": "室内照明", "category": "照明"}
    ]
  },
  "mappings": [
    {
      "modern": "披萨",
      "ancient": "胡饼",
      "category": "饮食",
      "rationale": "《齐民要术》载烧饼法，嘉峪关画像砖可见圆饼",
      "evidence_strength": "●",
      "wiki_ref": "[[胡饼]]",
      "atlas_ref": "32_jiayuguan_brick_paochu_3ren"
    },
    {
      "modern": "薯条",
      "ancient": "蒸饼",
      "category": "饮食",
      "rationale": "《齐民要术·饼法》详记，嘉峪关庖厨砖可见",
      "evidence_strength": "●",
      "wiki_ref": "[[蒸饼]]",
      "atlas_ref": "32_jiayuguan_brick_paochu_3ren"
    },
    {
      "modern": "一次性塑料手套",
      "ancient": "移除",
      "category": "器物工具",
      "rationale": "魏晋无塑料制品，手持食物为常态",
      "evidence_strength": "移除",
      "wiki_ref": "",
      "atlas_ref": ""
    },
    {
      "modern": "纸盒包装",
      "ancient": "漆盘",
      "category": "器物工具",
      "rationale": "马王堆漆器延续至魏晋，盛食主器",
      "evidence_strength": "●",
      "wiki_ref": "[[漆案]]",
      "atlas_ref": "57_han_mawangdui_lacquer_set"
    },
    {
      "modern": "现代桌面",
      "ancient": "漆案",
      "category": "坐具家具",
      "rationale": "南京象山晋墓出土，矮案席地围坐",
      "evidence_strength": "●",
      "wiki_ref": "[[漆案]]",
      "atlas_ref": "57_han_mawangdui_lacquer_set"
    },
    {
      "modern": "条纹衬衫",
      "ancient": "杂裾垂髾服",
      "category": "服饰",
      "rationale": "顾恺之《列女仁智图》清晰描绘，东晋贵族女装",
      "evidence_strength": "●",
      "wiki_ref": "[[杂裾垂髾服]]",
      "atlas_ref": "24_simajinlong_zajuchuishao"
    },
    {
      "modern": "黑色连帽衫",
      "ancient": "杂裾垂髾服",
      "category": "服饰",
      "rationale": "《洛神赋图》宋摹本多处可见，南朝女性常服",
      "evidence_strength": "●",
      "wiki_ref": "[[杂裾垂髾服]]",
      "atlas_ref": "29_weijin_brick_zajuchuishao"
    },
    {
      "modern": "灰色夹克",
      "ancient": "杂裾垂髾服",
      "category": "服饰",
      "rationale": "司马金龙墓漆屏风女立像形制",
      "evidence_strength": "●",
      "wiki_ref": "[[杂裾垂髾服]]",
      "atlas_ref": "24_simajinlong_zajuchuishao"
    },
    {
      "modern": "紫色棒球帽",
      "ancient": "飞天髻",
      "category": "首服/发型",
      "rationale": "《采兰杂志》载南朝宫人首为飞天紒",
      "evidence_strength": "●",
      "wiki_ref": "[[飞天髻]]",
      "atlas_ref": "11_luoshenfu_tu"
    },
    {
      "modern": "现代短发",
      "ancient": "飞天髻",
      "category": "首服/发型",
      "rationale": "顾恺之《洛神赋图》洛神发式即此",
      "evidence_strength": "●",
      "wiki_ref": "[[飞天髻]]",
      "atlas_ref": "12_nvshizhen_tu"
    },
    {
      "modern": "照片墙",
      "ancient": "屏风",
      "category": "空间场景",
      "rationale": "司马金龙墓出土彩绘木板漆屏风",
      "evidence_strength": "●",
      "wiki_ref": "[[屏风]]",
      "atlas_ref": "23_simajinlong_lacquer"
    },
    {
      "modern": "室内照明",
      "ancient": "陶灯",
      "category": "照明",
      "rationale": "南京象山晋墓出土青瓷灯多件",
      "evidence_strength": "●",
      "wiki_ref": "[[陶灯]]",
      "atlas_ref": "51_dongjin_niuxing_deng"
    }
  ],
  "edit_prompt": "Photo-realistic documentary photograph, shot on Canon 5D with 85mm f/1.4 lens, natural daylight, shallow depth of field, sharp focus on faces. Edit the first input image with strict identity preservation.\n\n🔒 FACE IDENTITY LOCK (MOST CRITICAL):\n- Each person's face must remain IDENTICAL to the input image: same face shape, same eye shape and position, same nose shape, same mouth shape, same skin tone, same jaw line. The viewer must instantly recognize the same individuals.\n- You MAY ADD period-appropriate features: traditional makeup for female roles (subtle eyebrow drawing, light lip color, light face powder).\n- You MUST NOT change: face proportions, eye color, nose bridge, lip shape, age appearance, ethnicity, fundamental facial structure.\n- 🚨 NEVER replace the original face with a generic or AI-imagined face. Use the input image faces as the unchangeable identity anchor.\n\n🔒 STANCE / POSE / COMPOSITION LOCK:\n- Preserve the EXACT body pose from input (standing upright). Do NOT convert to sitting or kneeling.\n- Preserve the EXACT facing direction from input: person on screen-left facing screen-right, center person facing camera, screen-right person facing camera. Do NOT rotate the figures.\n- Preserve relative positioning (side-by-side standing).\n- Preserve hand gestures — only the held object (food) is replaced.\n- Camera angle, distance, framing identical to input.\n\n🔒 SCREEN-LEFT / SCREEN-RIGHT (VIEWER PERSPECTIVE):\n- Every directional word (screen-left, screen-right) refers to the VIEWER's perspective — the side of the frame as a viewer sees it on screen. NOT the depicted person's anatomical own-left or own-right.\n- Always say screen-left / screen-right. Never say bare left / right alone.\n\n🔒 NARRATIVE SERVES POSE:\n- Identify the activity in the input (eating together while standing) and write a Wei-Jin equivalent of THAT activity. Do not invent activities the input does not show.\n\nKeep the exact composition, same number of people, same poses and body positions, same left/right positioning. Only replace clothing, objects, and background elements as specified below.\n\nPERSON ON SCREEN-LEFT (occupies left half of viewer's frame; original wears striped shirt, short hair):\n  - Face: identical to input (identity anchor)\n  - Facing direction: facing screen-right side (addressing the center person)\n  - REMOVE: modern striped shirt, any modern accessories\n  - Replace clothing with layered silk dress (zaju chuishao), cross-collar narrow-sleeve top over multi-panel long skirt with swallow-tail hem, multiple triangular streamers hanging from waistband, alternating color panels in crimson-cream, high empire waist, flowing silhouette, elegant Wei-Jin noblewoman attire\n  - Replace modern hairstyle with tall ring-bun hairstyle (feitianji), three black hair rings stacked high atop head pointing forward, thin cicada-wing temples fanning at sides, glossy dark hair, secured with silk ribbons\n  - Replace modern footwear with silk brocade slippers (sili), crimson fabric uppers with embroidered cloud-bird motifs, slightly upturned toe\n  - Position: stays on screen-left side of frame\n\nPERSON ON SCREEN-CENTER (occupies center of viewer's frame; original wears purple cap, black hoodie):\n  - Face: identical to input (identity anchor)\n  - Facing direction: facing camera lens directly\n  - REMOVE: purple baseball cap, black hoodie, any modern accessories\n  - Replace clothing with layered silk dress (zaju chuishao), cross-collar narrow-sleeve top over multi-panel long skirt with swallow-tail hem, multiple triangular streamers hanging from waistband, alternating color panels in blue-yellow, high empire waist, flowing silhouette\n  - Replace modern hairstyle with tall ring-bun hairstyle (feitianji), five black hair rings stacked high atop head pointing forward, thin cicada-wing temples fanning at sides, glossy dark hair, secured with silk ribbons or ornate hairpins\n  - Replace modern footwear with silk brocade slippers (sili), deep purple fabric uppers with embroidered motifs\n  - Position: stays on screen-center of frame\n\nPERSON ON SCREEN-RIGHT (occupies right half of viewer's frame; original wears gray jacket, long hair):\n  - Face: identical to input (identity anchor)\n  - Facing direction: facing camera lens directly\n  - REMOVE: gray jacket, any modern accessories\n  - Replace clothing with layered silk dress (zaju chuishao), cross-collar narrow-sleeve top over multi-panel long skirt with swallow-tail hem, multiple triangular streamers hanging from waistband, alternating color panels in jade-green and pale-pink, high empire waist, flowing silhouette\n  - Replace modern hairstyle with tall ring-bun hairstyle (feitianji), three to five black hair rings stacked high atop head pointing forward, thin cicada-wing temples fanning at sides, glossy dark hair\n  - Replace modern footwear with silk brocade slippers (sili), stone-blue fabric uppers\n  - Position: stays on screen-right side of frame\n\nBACKGROUND TRANSFORMATION:\n- Remove all modern elements: pizza boxes, Domino's branding, printed English text, plastic packaging, modern furniture, photo wall with modern photos, cork board with modern prints, fluorescent lighting, modern wall paint\n- Replace background with traditional Wei-Jin Chinese interior: rice-paper sliding screens (zhangzi), wooden lattice windows (zhilingchuang with vertical slats), exposed wooden beams with minimal bracket sets (dougong), low platforms with woven mats (xi), ink-painted folding screens (pingfeng) with landscape or historical figure paintings in vermilion lacquer frames\n- Replace modern table with low lacquered dining table (qi an), rectangular wooden tray-table with very short legs 10-20cm high, glossy black or vermilion lacquer finish, gold painted cloud motifs along edges, 60-100cm long, placed on floor\n- Replace pizza with round sesame flatbread (hubing), round oven-baked wheat flatbread 15-20cm diameter, golden-brown with scattered black sesame seeds, slightly charred spots, placed on lacquered tray\n- Replace fries with round steamed wheat buns (zhengbing), beige to pale yellow color, diameter 10-12cm, slightly flattened dome shape, faint steam-pattern marks on surface, stacked on black lacquered wooden tray\n- Add ceramic oil lamps (taodeng) with small yellow-orange flames for ambient lighting, placed on low tables\n- Background colors: deep reds, indigo blues, ochre yellows, natural wood browns — rich natural mineral-pigment palette where role and setting permit\n\nLIGHTING:\n- Soft natural daylight from paper-screened windows (zhilingchuang), warm tone, gentle shadows\n- Atmosphere: quiet noble gathering hall, family dining space, NOT theatrical, NOT staged\n\nSTYLE: Photo-realistic documentary photography, NOT painting, NOT illustration, NOT digital art, NOT anime, NOT Chinese ink wash, NOT oil painting. Wei Jin Northern Southern dynasties (220-589 AD) China. CRITICAL: NO chairs (everyone stands naturally as in input), NO Tang/Song/Ming/Qing elements, NO Japanese kimono, NO Korean hanbok, NO chili peppers, NO tomato, NO cotton fabric, NO folding fans, NO blue-and-white porcelain, NO modern footwear, NO baseball caps, NO hoodies, NO modern jackets, NO neon, NO LED, NO plastic. Faces must remain unchanged from input image. Three noblewomen standing and eating together in natural poses.",
  "scene_narrative": {
    "text": "建康城南，王氏别院。谢三娘立于案前，手捧一块胡饼，轻咬一口道："这芝麻今年炒得真香。"中间的庾五娘笑着接过蒸饼，说："你总是先吃完的那个。"右侧的陈四娘微微侧身，目光落在漆盘上，慢条斯理地拿起一块："急什么，天色还早。"案上青瓷耳杯中浊酒微漾，陶灯的火焰在风中晃了两晃。",
    "character_names": ["谢三娘", "庾五娘", "陈四娘"],
    "era_setting": "建康城南，王氏别院",
    "objects_mentioned": ["胡饼", "蒸饼", "漆盘", "青瓷耳杯", "浊酒", "陶灯"]
  }
}
```