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20260419_165926孩童城市街道2 人
建康城外,午后
建康城外,午后。王小五与陈六娘结伴出了坞堡,沿着夯土街道往西市走。小五穿着母亲新缝的短褐,脚上的麻鞋已经磨得发白。六娘头上总角松了一边,她也不管,只顾拉着小五的袖子说:“听说有胡商带来了葡萄干,咱们去瞧瞧。“街边店铺里飘出蒸饼的香气,木屐踩在土路上咯噔咯噔响。远处传来赶牛车的吆喝声,夕阳把两个小小的影子拉得很长。
王小五陈六娘
考据映射 · 10 条
- 牛仔夹克MODERN短褐● 强证据
粗麻或葛布制成的短款上衣,长度及腰或稍过臀部,交领右衽,袖长及肘,无装饰。布料未经漂染,呈灰褐或土黄色。
平民短袄,麻布制,嘉峪关画像砖可见
来源:- 文献:晋·房玄龄等《晋书·食货志》 - 图像:嘉峪关魏晋五号墓画像砖·农耕图 - 文献:南朝·范晔《后汉书·列女传》"短褐不完"查看图景 → - 红色格子短裙MODERN间色襦裙◐ 推断
魏晋女童襦裙可用多色,膝上长度合童装
- 白色运动鞋MODERN麻鞋● 强证据
平民草编或麻布鞋,《齐民要术》载
- 粉色拖鞋MODERN木屐● 强证据
木底两齿高跟鞋,底板椭圆或长方形(长 22-28 厘米、宽 8-10 厘米),下装两横齿(前后各一,高 3-5 厘米)。齿可拆卸方便上下山——谢灵运登山用"去前齿、下山去其后齿"的"谢公屐"闻名。鞋面用皮带或布带束足。平日走路、雨后出行皆宜。
魏晋木屐日常穿用,《世说新语》多处载
来源:- 文献:南朝·梁·沈约《宋书·谢灵运传》 - 文献:南朝·刘义庆《世说新语·雅量》 - 实物:新疆吐鲁番阿斯塔那东晋至十六国墓出土木屐查看图景 → - 编织辫子发型MODERN总角● 强证据
将头发分两股绾于头顶两侧作小髻,形如两支羊角。男童女童未成年时皆可作此发式。另有"垂髫"为头发自然披散至额前。
童子双髻束发,《诗经》传至魏晋
来源:- 文献:先秦《诗经·齐风·甫田》(魏晋延续此俗) - 文献:南朝·刘义庆《世说新语·识鉴》 - 图像:东晋·顾恺之《女史箴图》查看图景 → - 现代短发MODERN垂髫● 强证据
童子额前自然披发,《世说新语》称垂髫
- 现代城市建筑MODERN坞堡外墙● 强证据
豪族防御性庄园建筑群,由高墙环绕多座房屋构成。外墙高 5-8 米,夯土或土坯砌筑,四角设望楼("角楼")。墙内有主人居住的厅堂、子弟学舍、奴仆居所、仓库、厩舍、水井,甚至手工作坊。规模大者达数里,小者百步方圆。是三国至南北朝战乱年代豪族庇护族人的核心居所。
豪族夯土高墙,嘉峪关画像砖可见
来源:- 图像:内蒙古和林格尔东汉晚期壁画墓"庄园图"(延续至魏晋) - 文献:唐·房玄龄等《晋书·祖逖传》 - 图像:甘肃嘉峪关新城魏晋六号墓画像砖"坞堡图"查看图景 → - 商店橱窗MODERN市井店铺● 强证据
《洛阳伽蓝记》载市肆敞开门面
- 金属护栏MODERN木栏◐ 推断
街道木栏杆,魏晋常见
- 铺装路面MODERN夯土街道● 强证据
城市街道多夯土铺石,考古遗址可证
▸ Trace 时间线 · 14 条
00pipeline_start {"role":"孩童","image":"/private/var/folders/23/vxj0j_p11l7g79b64wnz84wc0000gn/T/gradio/af8cf820cadbba0db1f1ba9c383452f8986925f9c1f7b0bc092e16f04e0d2982/4bfe11e43e49a4ed74fd2a3662c02fe1.jpg"}
01image_normalized {"path":"/Users/chen/Documents/GitHub/yijianrugu/outputs/runs/20260419_165926/original.jpg"}
02agent_call_start
03kb_loading
04kb_loaded {"size_kb":84}
05scene_vision_start
06scene_vision_done {"anchors":3,"consistency":"OK","people":2}
07llm_call_start {"model":"anthropic/claude-sonnet-4.5","ctx_kb":84}
08llm_call_done {"length":8809}
09forbidden_warning ["英文禁词命中:kimono","英文禁词命中:hanbok","英文禁词命中:japanese","英文禁词命中:korean"]
10agent_done {"mappings_count":10,"narrative_len":157}
11image_edit_start {"prompt_len":5484,"n":1}
12image_edit_done {"provider":"openai","n_variants":1,"references_used":["visual_atlas/artifacts/14_qingci_jishouhu.jpg","visual_atlas/artifacts/15_qi_erbei.jpg","visual_atlas/artifacts/16_xijin_qingci_dushu_yong.jpg"],"prompt_len":5484,"out_count":1}
13pipeline_done {"success":true,"ancient_count":1,"narrative_len":157,"mappings_count":10}
▸ 图像编辑 prompt · 5489 字
Photo-realistic documentary photograph, shot on Canon 5D with 85mm f/1.4 lens, natural daylight, shallow depth of field, sharp focus on faces. Edit the first input image with strict identity preservation. 🔒 FACE IDENTITY LOCK (MOST CRITICAL): - Each person's face must remain IDENTICAL to the input image: same face shape, same eye shape and position, same nose shape, same mouth shape, same skin tone, same jaw line. The viewer must instantly recognize the same individuals. - You MAY ADD period-appropriate features: traditional makeup for female roles (subtle eyebrow drawing, light lip color, light face powder). - You MUST NOT change: face proportions, eye color, nose bridge, lip shape, age appearance, ethnicity, fundamental facial structure. - 🚨 NEVER replace the original face with a generic or AI-imagined face. Use the input image faces as the unchangeable identity anchor. 🔒 STANCE / POSE / COMPOSITION LOCK: - Preserve the EXACT body pose from input: both figures walking away from camera, backs visible. - Preserve the EXACT facing direction from input: both facing away (back to camera). - Preserve relative positioning: person in red plaid skirt on screen-left, person in denim jacket at screen-center, side-by-side walking. - Preserve arm positions: screen-left person's arm around screen-center person's shoulder. - Camera angle, distance, framing identical to input. 🔒 SCREEN-LEFT / SCREEN-RIGHT (VIEWER PERSPECTIVE): - Every directional word (screen-left, screen-right) refers to the VIEWER's perspective — the side of the frame as a viewer sees it on screen. NOT the depicted person's anatomical own-left or own-right. - Always say screen-left / screen-right. Never say bare left / right alone. 🔒 NARRATIVE SERVES POSE: - The input shows two children walking together on a city street, backs to camera. Write a Wei-Jin equivalent of this walking/strolling activity. Do not invent activities the input does not show. Keep the exact composition, same number of people, same poses and body positions, same left/right positioning. Only replace clothing, objects, and background elements as specified below. PERSON ON SCREEN-LEFT (occupies left half of viewer's frame; original wears red plaid skirt, has braided hair): - Face: identical to input (identity anchor) - Facing direction: facing away (back to camera) - Body pose: walking - REMOVE: modern red plaid skirt, modern white sneakers, braided hairstyle with modern hair ties - Replace clothing with Wei-Jin child's short hemp jacket (duanhe) in natural beige-brown, knee-length间色襦裙 (multi-color layered skirt) in muted earth tones, hemp shoes (maxie) replacing sneakers - Replace modern hairstyle with总角 (zongjiao) double-bun hairstyle: hair parted and bundled into two small buns atop head, tied with thin red cord, soft black hair with natural bangs at forehead - Position: stays on screen-left side of frame - Arm position: maintains arm around companion's shoulder PERSON AT SCREEN-CENTER (occupies center-right of viewer's frame; original wears denim jacket, pink slippers): - Face: identical to input (identity anchor) - Facing direction: facing away (back to camera) - Body pose: walking - REMOVE: modern denim jacket, modern pink slippers - Replace clothing with Wei-Jin child's short hemp jacket (duanhe) in natural tan-brown, loose knee-length trousers (ku), wooden clogs (muju) replacing slippers - Replace modern hairstyle with垂髫 (chuitiao): natural hair flowing to shoulders with bangs at forehead, simple child's hairstyle - Position: stays at screen-center of frame - Maintains companion's arm around shoulder BACKGROUND REPLACEMENT (CRITICAL): - Remove all modern urban elements: glass buildings, neon signs, LED screens, modern storefronts, Cartier signage, metal railings, paved asphalt, modern pedestrians in contemporary clothing, modern vehicles - Replace background with Wei-Jin walled market district (xishi or dongshi): rammed-earth walls 5-8m tall in earth-yellow and beige tones, open-front wooden stalls and shops lining narrow earthen streets, vendors in hemp robes calling out, occasional ox-cart in distance, simple wooden shop signs with black calligraphy, tamped earth street surface, other pedestrians in Wei-Jin commoner clothing (short robes, hemp fabric), willow trees or bamboo groves visible beyond walls - Architecture: low timber-framed buildings with庑殿顶 (wu-dian hip roof) minimal eave curve, grey ceramic tiles, exposed wooden beams, NO exaggerated flying eaves, NO red walls, NO yellow glazed tiles - Atmosphere: bustling but pre-industrial market town, warm afternoon sunlight, dust motes in air, natural outdoor lighting LIGHTING: - Soft natural daylight from afternoon sun, warm tone casting gentle shadows on earthen street and timber buildings - Atmosphere: lively market district afternoon, NOT theatrical, NOT staged, documentary feel STYLE: Photo-realistic documentary photography, NOT painting, NOT illustration, NOT digital art, NOT anime, NOT Chinese ink wash, NOT oil painting. Wei Jin Northern Southern dynasties孩童 (220-589 AD) China. CRITICAL: NO chairs (everyone sits on floor mats or low platforms), NO Tang/Song/Ming/Qing elements, NO Japanese kimono, NO Korean hanbok, NO modern footwear, NO modern hairstyles, NO neon, NO LED, NO glass buildings, NO modern signage. Faces must remain unchanged from input image. Both children walking away from camera, backs visible, natural walking poses preserved exactly.

